From the creators of Scary Movie and Date Movie comes this tongue-in-cheek parody of the sword-and-sandal epics, dubbed Meet the Spartans. The 20th Century Fox production was written and directed by the filmmaking team of Jason Friedberg and Aaron Seltzer. Sure, Leonidas may have nothing more than a cape and some leather underwear to protect him from the razor-sharp swords of his Persian enemies,

William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.

Simon Phoenix, a violent criminal cryogenically frozen in 1996, has escaped during a parole hearing in 2032 in the utopia of San Angeles. Police are incapable of dealing with his violent ways and turn to his captor, John Spartan, who had also been cryogenically frozen when wrongfully accused of killing 30 innocent people while apprehending Phoenix.

In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.

Prologue depicts Spartan and Athenian warriors locked in a gory battle to the death.

‘305’ is a mockumentary detailing the misadventures of five not-so-brave members of the Spartan army charged with guarding a seemingly ordinary goat path. But when their actions lead to the death of King Leonidas and his army of 300 men, the five must find a way to redeem themselves and save Sparta from invasion.

When we are young, we sometimes feel that the world is stacked against us. This is the case for 16 year-old Steeve Simard (Lévi Doré), who is entering his last year at Gaston-Miron High School in St-Lambert. A cynical intellectual with a critical view of himself and the world, he struggles to establish bonds with his parents and peers. He only has one friend: Virgil (Jonathan St-Armand). In order to evade his loneliness and fill a void in his imagination, he seeks refuge in his books and music. However, an incident with the star of the Spartans football team, will force Steeve to come out of his shell and face his destiny…

Deceived by the scruffy ginger counselor who’s the only boy near her emotional age at Emily Dickinson Writing Camp, Marion ditches lunch duty and jumps the next bus out of town. Alone and friendless, she holes up in a nowhere motel, ignoring the nagging calls from her sister and indulging in utter anonymity. There Marion meets Norman, and each is haunted by the feeling that they’ve met the other before. Like a garage band covering a string quartet, freshman director Jesse Robinson rebuilds Psycho from a looser, warmer material. Young and Innocent throws a haze across Hitchcock’s spartan menace, replacing autumnal chill with summer swelter, and adult frailty with the languageless longings of adolescence.